Thanks to period books and printing specimens, designers were able to replicate Garamond and even make variations of their own.
Whether you’re creating something for the Web or for print, you can count on Garamond to help you get your message across with its crisp, clear letters. This leads us to point two, which are versatility and readability. Experts have often described it as ‘ elegant and executed with consummate skill’, adding it’s ‘a culmination of Renaissance design’. For one, it looks great with any font, whether it’s Futura or Proxima Nova. There’s a reason why a classic never goes out of style. This would later help in reviving the classic fonts to something that would grace the digital screens of the future. When Garamond died, his widow sold his equipment and tools to type foundries, like the Le Bé type in Paris. Garamond later created a separate italics version, but that didn’t become as popular. This displaced the ornate blackletter or Gothic types, which used to appear on most Renaissance printing.Ĭlaude’s designs were roman type based off of the fonts cut by engraver Francesco Griffo for Venetian printer Aldus Manutius.
This type of lettering is what is called as ‘old-style’ because it replicates handwriting done with a pen, albeit with a more structured, upright appearance. Rather, it’s a group of serifs that were originally designed by 16th century engraver Claude Garamond.
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